Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Filmmaking in 2000

Sundancing: Hanging Out and Listening in at America's Most Important Film Festival by Morgan, David, Anderson, John
The Cinema of Satyajit Ray: Between Tradition and Modernity by Cooper, Darius
The Cinema of Satyajit Ray: Between Tradition and Modernity by Cooper, Darius
The Gaze and the Labyrinth: The Cinema of Liliana Cavani by Marrone-Puglia, Gaetana
Mike Leigh: Interviews by
Elia Kazan: Interviews by
Robert Altman: Interviews by Altman, Robert
Hollywood 101: The Film Industry by Levy, Frederick
The Art of the Moving Picture by Lindsay, Vachel
The Making of 2001: A Space Odyssey by
Memo from David O. Selznick: The Creation of Gone With the Wind and Other Motion-Picture Classics--as Revealed in the Producer's Private Letters, Tele by Selznick, David O.
Feminist Discourse and Spanish Cinema: Sight Unseen by Martin-Márquez, Susan
The Films of Fritz Lang: Allegories of Vision and Modernity by Gunning, Tom
Kurosawa: Film Studies and Japanese Cinema by Yoshimoto, Mitsuhiro
Film Production Theory by Geuens, Jean-Pierre
Losing the Light: Terry Gilliam and the Munchausen Saga by Yule, Andrew
Losing the Light: Terry Gilliam & The Munchausen Saga by Yule, Andrew
Film Into Video: A Guide to Merging the Technologies by Kallenberger, Richard, Cvjetnicanin, George
Jean-Luc Godard's Pierrot Le Fou by
Jean-Luc Godard's Pierrot Le Fou by
Scare Tactic: The Life & Films of William Castle by Law, John W.
Battle of Brazil: Terry Gilliam v. Universal Pictures in the Fight to the Final Cut by Mathews, Jack
Blood Siblings: The Cinema of Joel Coen and Ethan Coen by
The Films of Martin Scorsese, 1963-77: Authorship and Context by Grist, L.
Multiskilling for Television Production by Ward, Peter, Bermingham, Alan, Wherry, Chris
The Film Director: Updated for Today's Filmmaker, the Classic, Practical Reference to Motion Picture and Television Techniques by Bare, Richard L.
Kubrick, New and Expanded Edition: Inside a Film Artist's Maze by Nelson, Thomas Allen
Continuity Supervisor by Rowlands, Avril
Mary Lucier by
Robert Bresson by Reader, Keith
The Films of Mike Leigh by Carney, Ray, Quart, Leonard
Digital Video Camerawork by Ward, Peter
Kubrick's 2001: A Triple Allegory by Wheat, Leonard F.
The Films of Martin Scorsese, 1963-77: Authorship and Context by Grist, L.
Peter Greenaway: Interviews by
Production Safety for Film, Television and Video by Small, Robin
Jean Renoir by O'Shaughnessy, Martin
What They Don't Teach You at Film School: 161 Strategies for Making Your Own Movies No Matter What by White, Tiare, Landau, Camille
Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen by Nichols, Mary P.
The Hollywood Food Chain: A Comically Real Look at Hollywood Through the Eyes of Production Assistants by Carboni, Tiffany
The Great Art Of Light And Shadow: Archaeology of the Cinema by Mannoni, Laurent
Be the Train: The Mindset and Tools You Need to Make Your First Feature Film by Ringel, Selina
Straight Lick: The Cinema of Oscar Micheaux by Green, J. Ronald
Film Culture Reader by
No Film in My Camera by Gibson, Bill, Lousma, Jack R.
Spectacular Narratives Hollywood in the Age of the Blockbuster by King, Geoff
Picture Perfect by Strock, Herbert L.
The Modern Fantastic: The Films of David Cronenberg by
The Modern Fantastic: The Films of David Cronenberg by
Order in the Universe: The Films of John Carpenter by Cumbow, Robert C.
Jack Clayton by Sinyard, Neil