• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Opera in 2015

Letters to Wesendonck et al. by Wagner, Richard
Mario Lanza: Singing to the Gods by Mannering, Derek
Tristan und Isolde by Kleinmichel, Richard, Wagner, Richard
Carmen by Bizet, Georges
Tristan und Isolde by Kleinmichel, Richard
Opera Acts by Henson, Karen
The Victor Book of the Opera by Machine Co, Victor Talking
La Favorite by Donizetti, Gaetano
Poliuto: Les martyrs by Donizetti, Gaetano
Opera and Modern Spectatorship in Late Nineteenth-Century Italy by Campana, Alessandra
Urban Politics and Cultural Capital: The Case of Chinese Opera by Haili, Ma
Written on Skin: The Opera Lively Guides Series v. 2 by Gazzola, Luiz
Wagner's Ring in 1848: New Translations of the Nibelung Myth and Siegfried's Death by Haymes, Edward
Learning as a Generative Activity: Eight Learning Strategies That Promote Understanding by Mayer, Richard E., Fiorella, Logan
A Life for the Tsar: Libretto by Rozen, Egor, Glinka, Mikhail
Beach and Moan: A Mini Opera by Bradford, Wm Samuel, Mack, Evan
Experiencing Tchaikovsky: A Listener's Companion by Schroeder, David
Versuch ueber Kundry: Facetten einer Figur by Kitagawa, Chikako
Master Singers: Advice from the Stage by Mauro, Lucy, George, Donald
Black Diva of the Thirties: The Life of Ruby Elzy by Weaver, David E.
The Tempest; an Opera Taken [by David Garrick] From Shakespear. As it is Performed at the Theatre-Royal in Drury Lane by Garrick, David, Shakespeare, William
The Lily of Killarney: A Grand Romantic Opera, in Three Acts, Etc by Boucicault, Dion, Oxenford, John, Larnder, Dionysius
H.M.S. Pinafore; or, the Lass That Loved a Sailor. An Entirely Original Nautical Comic Opera, in two Acts ... Composed by Arthur Sullivan. [Words Only by Gilbert, W.
The Cambridge Companion to French Music by
The Other Worlds of Hector Berlioz by Van Rij, Inge
The Cambridge Companion to French Music by
The Castrato: Reflections on Natures and Kinds Volume 16 by Feldman, Martha
John Cage and David Tudor by Iddon, Martin
Britten's Unquiet Pasts by Wiebe, Heather
Gondola by Leon, Donna
Gondola by Leon, Donna
Opera in the Development of German Critical Thought by Flaherty, Gloria
A Six-City Opera Potpourri: Stories of Grand Opera from Cincinnati, Washington (D.C.), New York City, New Orleans, Chicago, and Central City (CO) by Stubbs, James
Opera in the Age of Rousseau by Charlton, David
Gustav Mahler's Symphonic Landscapes by Peattie, Thomas
Orientalism and the Operatic World by Tarling, Nicholas
Gioachino Rossini: A Research and Information Guide by
Wagner, Schumann, and the Lessons of Beethoven's Ninth by Reynolds, Christopher Alan
A Vision of Voices: John Crosby and the Santa Fe Opera by Smith, Craig A.
Singing in Greek: A Guide to Greek Lyric Diction and Vocal Repertoire by Zervanos, Lydía
Great Opera Stories by Schwab, Millicent
Understanding the Leitmotif by Bribitzer-Stull, Matthew
The Operatic Problem by Galloway, William Johnson
Lakmé by Bazille, Auguste, Delibes, Leo
Physiology of The Opera by John, John H.
A Second Book of Operas by Krehbiel, Henry Edward
The Social Media Handbook by
Szymanowski's King Roger: The Opera and Its Origins by Wightman, Alistair
Postopera: Reinventing the Voice-Body by Novak, Jelena
Music Theatre in Britain, 1960-1975 by Hall, Michael
André Gide - Igor Strawinsky: "Perséphone" Von der Idee zum vollendeten Werk bei Betrachtung der verschiedenen Denkweisen von Schriftsteller und Kompo by Hanft, Andrea
Opera in a Multicultural World: Coloniality, Culture, Performance by
Amelia: The Libretto by McFall, Gardner
Music Theory Through Musical Theatre: Putting It Together by Franceschina, John
La Boheme - vocal score (Italian and English): Ricordi edition by Puccini, Giacomo
Selected Opera Arias: Mezzo-Soprano Edition by
La censura sulle opere di Verdi by Moroni, Gabriele
Handel by Cummings, William Hayman
A History of Opera by Parker, Roger, Abbate, Carolyn
Mozart Studies 2 by
Martyr: A Tragedy Of Belguim by Leeman, Jean
Life Of Mozart, Volume 3 by Jahn, Otto
Foreign Opera at the London Playhouses by Fuhrmann, Christina
Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film by Leppert, Richard
Italian for the Opera by Thomson, Robert Stuart
Venanzio Rauzzini in Britain: Castrato, Composer, and Cultural Leader by Rice, Paul F.
Kundry: la marginacion de la soberania femenina en el Parsifal wagneriano by Alonso Gomez, Maria Lourdes
The One Upstairs: A Comic Opera in One Act Piano Vocal Score by Holland, James Nathaniel
Understanding Italian Opera by Carter, Tim
Rossini and Post-Napoleonic Europe by Roberts, Warren E.
Transformations Musical Modernism by
The Operas of Maurice Ravel by Kilpatrick, Emily
Fashion Designers at the Opera by Matheopoulos, Helena
An Invitation to the Opera, Revised Edition by Digaetani, John Louis
The Real Traviata: The Song of Marie Duplessis by Weis, René
The Standard Operaglass: Detailed Plots of the Celebrated Operas, With Critical and Biographical Remarks, Dates, Etc., Etc. by Charles Annesley by Annesley, Charles
Die Entstehung der komischen Oper by D'Arienzo, Nicola
The Business of Opera by
Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun by Everett, Yayoi Uno
Grétry's Operas and the French Public: From the Old Regime to the Restoration by Arnold, R. J.
Sensing Sound: Singing and Listening as Vibrational Practice by Eidsheim, Nina Sun
Sensing Sound: Singing and Listening as Vibrational Practice by Eidsheim, Nina Sun
A Guide To The Opera: Description & Interpretation Of The Words & Music Of The Celebrated Operas by Singleton, Esther
Theatrical Heritage: Challenges and Opportunities by
Opera: A Research and Information Guide by Marco, Guy A.
Operetta: A Theatrical History by Traubner, Richard
The Beggar's Opera: A Ballad Opera in Three Acts by Gay, John